top of page

Vampire Origins

Count Dracula is a well known figure to the modern masses. All know him to be the original vampire, the master of his undead race. Historically, Dracula is known to be the fictional product of Irish novelist Bram Stoker, who was potentially inspired by the tales of the Romanian hero Vlad the Impaler. However, stories of vampirism predate Count Dracula by centuries. Tales of blood thirsty demons go as far back as 18th century B.C. in ancient Mesopotamia. Lamashtu, the first recorded vampiric figure,1 was a malevolent Mesopotamian goddess who preyed on pregnant women and their newborns. She would steal babies in order to gnaw on their bones and drain them of their blood. Tales of Lamashtu were incorporated in later civilizations as well: Lamashtu can be seen as Lilith of Hebrew mythology and the Lamia of Greek mythology. 2

 

 

However, the origins of the modern vampire began in the region of the Balkans in the 10th century A.D. The word vampir emerged out of the religious conflict between the pagan beliefs of the Balkan region and the advancing Byzantine Orthodoxy.3 Initially, the word vampir was the term that was used to label certain people--most likely the settled Slavs of the time--who continued to practice their pagan beliefs and traditions. These vampirs were heretics to the Holy Church. This association between the heretics and vampirs is most evident when looking at two words that came out of medieval Russia: "eretick" (heretic) and "upyr" (vampire)-- these two words were synonymous with each other at the time.4 As centuries passed and the religious conflicts quelled, the term vampir started its transformation from being a real world identity to the folkloric entity that is known today.

 

Attribute: "Lamashtu plaque 9167" by Rama - Own work. Licensed under CC BY-SA 2.0 fr via Wikimedia Commons - Title. Double click me.

“Balkans Map.” n.d. Balkan Peninsula.

Attributed: http://unitedprayerforeurope.com/2014/06/did-you-know-the-balkans/.

 

By the early 17th century, the vampir had entirely transformed into the vampire with all its essential characteristics: an undead being, drinking blood, nocturnal, supernatural, etc.  It's important to note how almost all of the characteristics attributed to vampires are a result of infringements made against tradition and religion in some way. For example, the Slavs believed it takes 40 days for the soul to separate from its physical body. If something were to pass over the grave within that 40 days, such as a cat or a shadow, it would prevent the soul from properly leaving its physical body and, as a result, the corpse would become a vampire.5 A person who had not been baptized or a baby born out of wedlock also had the potential to become a vampire. The practices of slaying the vampire ingrained in its folklore reflect this reasoning as well. For example, the Holy Cross is used to keep vampires away; this practice is evidently derived from the successful christening of the Balkan region during that time period of religious conflict.

 

It was then in the 18th century--the Age of Enlightenment--when the vampire moved from its Balkan origins to invade and terrify the Western conscious. After the fall of the Ottoman Empire, the assimilation of Eastern Europe into Western Europe also brought the vampire folklore. Reports of vampire epidemics in Eastern Europe intrigued Enlightenment thinkers to bring reason to what they believed as phenomena only the uneducated and old peasantry could come up with. Some theories that arose included the improper knowledge of the decomposition process and an epidemic disease.6 It was in this time period when the idea of the contagious vampire arose. In order to rationalize the vampire epidemics, enlightenment thinkers equated the phenomena to a biological disease which could transfer to other people.7 As a result, a new addition to the folklore was added which is evident in the attributes of the modern vampire.

The vampire has a unique history. It is important to keep in mind its historical roots and transformation through time beyond Count Dracula in order to fully appreciate the lore.

 

Demoraine, Louis-Pierre-Rene. n.d. Death of a Vampire. Engraving. ARTstor Collections

Attributed: http://library.artstor.org.mutex.gmu.edu/library/secure/ViewImages?id=8CJGczI9NzldLS1WEDhzTnkrX3oueVh%2BdS4%3D&userId=hTFBdg%3D%3D&zoomparams=.

 

Locations of the Legend of Vampires

Attributed: googlemaps.com

Click here for more. 

Footnotes

bottom of page